Est. 2025 — Lakeside, Indonesia

We started this
because nobody
else would.

Two friends. One shared frustration. Indonesian festivals kept booking big names with mediocre experiences. So we built our own.

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Origin

800 people.
Sold out in 3 days.
Zero paid ads.

Year one was an experiment. We booked a lakeside venue not because it was cheap — it wasn't — but because the natural acoustics made every set feel like a private show. Word spread on its own.

We didn't set out to build a festival brand. We just wanted to attend something that didn't exist yet: a gathering where the sound quality mattered more than the headcount, where you could hear jazz fusion bleed into electronic without a jarring stage change.

Three thousand is our ceiling. Not because we can't sell more tickets — because we don't want to.

Philosophy

Curation
over capacity.

Every festival says they're “curated.” Most of them mean they hired a booking agent. We mean something different: every artist on our lineup has been seen live by at least one of us, in a room small enough to hear them breathe.

We mix international underground acts with Indonesian talent that deserves bigger stages — not because it looks good on a poster, but because Floating Points into Reality Club into Bottlesmoker is a journey that actually makes sense if you close your eyes and listen.

The venue was chosen for its natural bowl acoustics and the way sound carries over water at dusk. Not for the parking capacity.

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Lakeside venue — chosen for acoustics, not convenience.

“If you wouldn't drive two hours to see them in a basement, they don't belong on our stage.”

What we stand for

Sound first

Every decision filters through one question: does this make the music sound better? Stage placement, speaker rigs, set times, crowd density — all optimized for listening, not logistics.

No filler sets

We'd rather have fewer acts and longer sets than pack the schedule with names. Two stages, intentional gaps, room to wander to the water between performances.

Capacity is a feature

Three thousand people — not a limitation, a design choice. Small enough that you'll bump into the same strangers twice. Large enough that it feels like an event, not a party.

Earn it, don't buy it

Year one sold out through word of mouth. We intend to keep it that way. No influencer packages, no sponsored placements. The lineup is the marketing.

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